hi
here is a great story of
plastic, the dangers and toxic
effects of plastics but the ways in which they have enriched the lives
of a lot of Americans. A waste
product from the refining of oil that during the second world
war was used to replace valuable resources and suddenly plastic
entered the market, the rest is history The transcript of
interview is included
wes
Fresh Air NPR/
NEW Book, Plastic: A Toxic Love
Story
April 19, 2011
http://www.npr.org/2011/04/19/135245835/our-toxic-love-hate-relationship-with-plastics
We all know that plastics are common in modern
life, but science journalist Susan Freinkel says they are really
literally everywhere - in our toothbrushes, hair dryers, cell
phones, computers, door knobs, car parts - and of course in those
ubiquitous plastic bags we get it seems every time we buy
anything.
The bags are made from polyethylene, the most common type of plastic
in use today. By one estimate, Freinkel says, the amount of
polyethylene produced in America every year is nearly equal to the
combined mass of every man, woman and child in the country.
Freinkel's new book, Plastic: A Toxic Love Story chronicles the rise
of plastic in consumer culture, and its effects on the environment and
our health. She notes that plastics have had enormously beneficial
impacts - like making blood transfusions safe and common. But
scientists are now also finding that phthalate chemicals from IV bags
and other plastics are leaching into the fluids we take into our
bodies, and the effects of that are just now being understood.
Plastic: A Toxic Love Story
By Susan Freinkel
Hardcover, 336 pages
Houghton Mifflin Harcourt
List price: $27
Read An Excerpt
"These chemicals act in a more convoluted and complicated way,"
Freinkel says. "They interfere with our hormones, and they
interfere with the endocrine system, which is the network of glands
that orchestrate growth and development. And there's some research
showing that DEHP, this chemical that's in vinyl [used in IV bags],
has this property. It interferes with testosterone."
But the million dollar question yet to be solved, says Freinkel, is
whether prolonged exposure to DEHP and other chemicals alters our
bodily systems.
"It's difficult to say what the effects [of exposure] are,"
she says. "There are animal studies that show, at very high
doses, it can be quite hazardous. It is literally toxic to the
testicles and can create malformations and damage sperm and create
fertility problems later in life. But most people aren't exposed to
those kinds of levels - even in hospital settings where you are
being transfused for a long time. It's not approaching those levels.
It is more subtle, probably."
Problems In Rats
Only a few studies have directly looked at the effects of DEHP
exposure in humans. Dr. Shanna Swan at the University of Rochester in
Rochester, N.Y., has published several articles on prenatal exposure
to phthalates. In one study, she found that newborn baby boys born to
mothers with more phthalates in their bodies had a subtle difference
in their genitals. That genital abnormality could indicate a
disruption in testosterone levels, Freinkel says.
"In rats, that [physical] marker has been associated with a bunch
of problems," Freinkel says. "But we don't actually know
what it means in humans. ... What it suggests is that these chemicals
that we've used for 50 years and assumed to be completely benign may
have an impact on health of some people, particularly people who get
exposed at critical phases of development."
Susan Freinkel is a science writer whose work has appeared in The New
York Times, Discover Magazine, Smithsonian Magazine and other
publications. She is also the author of American Chestnut, a social
history of one of America's most common trees.
What The Plastics Industry Says
The plastics industry, Freinkel says, has maintained that vinyl and
phthalates are safe. Both the vinyl industry and the American
Chemistry Council conduct their own research on the materials they use
and have their own trade associations. Freinkel says they're quick to
rebut any studies that come out suggesting a correlation between
exposure to synthetic chemicals and possible health
issues.
"[They say] they've been in use for 50 years, there's no evidence
of widespread human problems, and therefore [they ask], 'What's the
issue?' " she says. "And they are right - the science on
this is still uncertain."
Interview Highlights
On government regulation of plastics
"Unlike pesticides or drugs, there's no real explicit government
regulation on plastics. We have a very fragmented and fairly
ineffective patchwork of laws to regulate synthetic chemicals. The
central regulation there is something called the Toxic Substances
Control Act, which was passed in 1976. People's criticism of that law
is that it has tended to treat chemicals as safe until proven to be
dangerous. But the way that the law is written is very difficult to
establish that a chemical is dangerous because manufacturers do not
have to volunteer information about that, and the Environmental
Protection Agency is fairly hamstrung in its ability to collect
information. When that law was passed, the 60,000 or so chemicals that
were then in commerce were simply grandfathered in under the law.
Since that time, there have been another 20,000 to 30,000 chemicals
that have come onto the market. The EPA has only been able to require
reviews of a couple of hundred [types of synthetic chemicals], and
it's only been able to actually establish that there were significant
hazards that [required] banning in five."
"There are a lot of plastics out there. Plastics are not created
equal, and I think there are a lot of plastics that we don't have to
worry about. I'm not so worried about polyethylene [the stuff of
plastic baggies]. I'm not particularly worried about polypropylene,
which is the stuff that's used in yogurt containers or margarine tubs.
But we know that hazardous chemicals are used in plastics, and some of
those plastics will leach chemicals that may be harmful to our health,
and we don't know the full extent of that. I'll give you an example,
which is PET - polyethylene terephthalate. It's the plastic that's
used in soda bottles and water bottles. It's another plastic that we
have for decades considered an inert plastic. In recent years, there
have been several studies showing that PET can leach some kind of
compound that seems to have estrogenic activity - that seems to act
like an estrogen. We don't know what that compound is. We don't know
whether it's being leached in sufficient quantities to have any impact
on human health. The fact that we're suddenly discovering it is a
little disconcerting. That said, I think those kinds of findings are
why we need to have stronger laws that require manufacturers to
demonstrate the safety of chemicals that they put into
commerce."
On plastics leaching from baby bottles
"The plastic that used to be used to make baby bottles is a
polycarbonate. It's a hard, clear, glasslike plastic, and one of the
main ingredients in that is a chemical called bisphenol A (BPA), which
is an estrogen mimic. If you look at a diagram of that molecule, it
looks just like an estrogen molecule. And bisphenol A has been
associated with a bunch of health problems, including obesity, breast
cancer, heart disease and others. And when research about bisphenol A
started coming out, parents especially were understandably horrified
at the thought that the bottles that they were using to feed their
babies could potentially be leaching this chemical into their babies.
You'd be hard-pressed to buy a baby bottle now that contains bisphenol
A. This is one of those instances where the government didn't step in
but Walmart did. The big-box stores won't carry BPA bottles. ...
Manufacturers are still free to use bisphenol A, but it has acquired
such a bad rep that not many do. There are some states and other
countries that have outlawed bisphenol A. The problem, of course, is
that you end up with this patchwork of regulations and no consistency
or guarantee."
Excerpt: 'Plastic: A Toxic Love Story'
by SUSAN FREINKEL
Trawling the site on various occasions, I've seen dozens of combs made
of the early plastic called celluloid - combs so beautiful they
belonged in a museum, so beguiling I coveted them for my own. I've
seen combs that looked as if they were carved from ivory or amber, and
some that were flecked with mica so they shone as if made of hammered
gold. I've seen huge, lacy decorative combs of faux tortoiseshell that
might have crowned the piled-high up-twist of a Gilded Age
debu°©tante, and tiara-like combs twinkling with sapphire or emerald
or jet "brilliants," as rhinestones once were called. One of
my favorites was a delicate 1925 art deco comb with a curved handle
and its own carry ing case; together, they looked like an elegant
purse made of tortoise shell and secured with a rhinestone clasp. Just
four inches long, it was surely designed for the short hair of a Jazz
Age beauty. Looking at the comb, I could imagine its first owner, a
bright spirit in a dropped-waist dress and Louise Brooks bob, reveling
in her liberation from corsets, long gowns, and heavy hair
buns.
Surprisingly, these gorgeous antiques are quite affordable. Cellu loid
plastic made it possible, for the first time, to produce combs in real
abundance - keeping prices low even for today's collector who
doesn't have a lot to spend but wants to own something fabulous. For
people at the dawn of the plastic age, celluloid offered what one
writer called "a forgery of many of the necessities and luxuries
of civilized life," a foretoken of the new material culture's
aesthetic and abundance.
Combs are one of our oldest tools, used by humans across cultures and
ages for decoration, detangling, and delousing. They derive from the
most fundamental human tool of all - the hand. And from the time
that humans began using combs instead of their fingers, comb design
has scarcely changed, prompting the satirical paper the Onion to
publish a piece titled "Comb Technology: Why Is It So Far Behind
the Razor and Toothbrush Fields?" The Stone Age craftsman who
made the oldest known comb - a small four-toothed number carved from
animal bone some eight thousand years ago - would have no trouble
knowing what to do with the bright blue plastic version sit ting on my
bathroom counter.
For most of history, combs were made of almost any material hu mans
had at hand, including bone, tortoiseshell, ivory, rubber, iron, tin,
gold, silver, lead, reeds, wood, glass, porcelain, papier-mâché.
But in the late nineteenth century, that panoply of possibilities
began to fall away with the arrival of a totally new kind of material
- celluloid, the first man-made plastic. Combs were among the first
and most popular objects made of celluloid. And having crossed that
material Rubicon, comb makers never went back. Ever since, combs
generally have been made of one kind of plastic or another.
The story of the humble comb's makeover is part of the much larger
story of how we ourselves have been transformed by plastics. Plastics
freed us from the confines of the natural world, from the material
constraints and limited supplies that had long bounded hu man
activity. That new elasticity unfixed social boundaries as well. The
arrival of these malleable and versatile materials gave producers the
ability to create a treasure trove of new products while expand ing
opportunities for people of modest means to become consumers.
Reprinted with permission from Plastic: A Toxic Love Story, by Susan
Freinkel, published by Houghton Mifflin Harcourt. Copyright 2011 Susan
Freinkel. All rights reserved.
TRANSCRIPT
Heard on
Fresh Air from WHYY
April 19, 2011 -
TERRY GROSS, host:
This is FRESH AIR. I'm Terry Gross.
We all know that plastics are common in modern life, but our guest,
Susan Freinkel, says they're really everywhere: in our toothbrushes,
hairdryers, cell phones, computers, door knobs, car parts and, of
course, in those ubiquitous plastic bags we get just about every time
we buy anything.
They're made from polyethylene, the most common type of plastic in use
today. By one estimate, the amount of polyethylene produced in America
every year is nearly equal to the combined mass of every man, woman
and child in the country.
Freinkel's new book,
"Plastic: A Toxic Love Story," chronicles the rise of
plastics in consumer culture and its effects on the environment and
our health. For example, she notes that plastics have had enormously
beneficial effects, like making blood transfusions safe and common,
but scientists are also finding that chemicals from blood and IV bags
are leaching into the fluids we take into our bodies.
Susan Freinkel is a science writer whose work has appeared in the New
York Times, Discover, Smithsonian and other publications. She spoke
with FRESH AIR contributor
Dave Davies.
DAVE DAVIES, host:
Well, Susan Freinkel, welcome to FRESH AIR. Let's begin with a little
experiment that you describe at the beginning of your book. You were
going to spend a day without touching plastic. What
happened?
Ms. SUSAN FREINKEL
(Author, "Plastic: A Toxic Love Story"): Right. I didn't
think through the idea very hard, which is why I walked into the
bathroom that morning and looked down, and there is my plastic toilet
seat. So I had to change my plan, and instead of spending the day not
touching anything plastic, I decided I would spend the day writing
down everything I touched that was plastic.
And by the end of
the day, my notebook was filled with pages and pages of plastic things
- things that I went into the experiment knowing were plastic, you
know, like the sandwich bags, but then things I never imagined were
plastic like the doorknob of my front door, which I thought was brass
but when I looked closely I realized was plastic.
I didn't really understand how my life had become so permeated by
plastic, and I realized I didn't know the first thing about this
stuff. I didn't know what plastic was, where it came from or whether
there were reasons to be concerned about it. And I figured if I was
asking those questions, probably other people were, too.
DAVIES: Give us a
layman's understanding of what plastic is, chemically.
Ms. FREINKEL: Well, you know, we talk about plastic like it's one
thing, but plastic is really - plastics are a huge family of
materials. There are thousands of different plastics. And in many
ways, they're as different from one another as paper can be from
glass.
So in plastic, I call them daisy chains. They're giant molecules that
are hooked together like daisy chains. And another way to imagine them
is like a string of beads. And how those beads are arranged, what the
beads actually are, how they're strung on that string, how the strings
are arranged with one another can affect what a plastic looks like,
how it behaves, how it feels.
What these all have in common, though, is that they're polymers.
They're these gigantic molecules, these long daisy chains. And as I
said, you can get them having very different properties.
So take for instance something like nylon. You know, nylon can be
stretchy like in pantyhose. It can be silky like a parachute. It can
be bristly like the end of your toothbrush. Or it can be a solid,
smooth material like the wheels of a roller skate, or bushy like
Velcro.
You know, plastic has this kind of pejorative connotation, but it's
pretty amazing that we've managed to make this family of materials
that has so many different properties and that we can engineer, kind
of, to do and be exactly what we want them to be.
DAVIES: Now, why was
the development of plastics driven, in part, by the oil industry?
Ms. FREINKEL: Well, plastics come from the byproducts that are
produced in the refining of oil or the processing of natural gas.
Actually, in this country, most plastics come from natural gas.
And those processes throw off these byproducts which, you know, could
just be wasted. But really, since the early 20th century, the
petroleum and chemical industries got very good at taking these
byproducts and reprocessing them, in a sense, to create new products
like raw plastics.
DAVIES: Can you give
us an example of a byproduct of, you know, of oil refining that led to
a plastic?
Ms. FREINKEL: Sure.
You know, I'll give you the example of ethylene, which is a byproduct
of oil refining. There is a sort of legend that Nelson Rockefeller,
founder of Standard Oil, was looking out over his, you know, vast
refinery complex and saw flares burning off some gas.
And he said, you know: What is that? What is that that we're burning
off? And somebody said: Well, that's ethane. And he said: ethane -
which is a precursor to ethylene - well, I don't want to waste that. I
don't want to waste anything. And, you know, the - well, let's figure
out something to do with it. And that something turned out to be
ethylene, which is now used to make polyethylene.
DAVIES: And so what
did they do? You have a gas that's being vented from the stack of a
refinery. Is it captured and then cooled so that it becomes a liquid,
and then, what, turned into a plastic resin or something?
Ms. FREINKEL: Well, that makes it sounds like a really simple process.
And, you know, when I went to go visit Dow Chemical's polyethylene
plant in Freeport, Texas, that very simple process that you just
described takes place over miles and miles of pipes, stretching out
over acres.
And basically what happens is the ethylene is piped in a series of
pipes and subjected to different ranges of pressures and temperatures,
and different other gases are fed in with it. And eventually they all
go into this thing called the reactor, which I had envisioned was
going to be like some lab with, you know, bubbling flasks and vats,
but actually was this huge, two-story room with these gigantic pipes -
looping up and down, floor to ceiling.
And at the start of
that room, where the gases first go in, they go in at the start of the
room, and then other chemicals are fed in to trigger a chemical
reaction that will cause the gases to hook together into these daisy
chains and become liquid. And out the other end comes
polyethylene.
I couldn't see any of that, but I was walking along the outside of the
reactor chamber, and all of a sudden, I realized I smelled plastic. It
was like sticking my nose in the - you know, in an empty bottle of
milk, or jug of milk.
And then I looked around on the floor, and suddenly I could see these
little clumps of this waxy, white stuff that was raw
polyethylene.
DAVIES: So just to
simplify to the beginning and the end, this gas that's being thrown
off by a refinery is turned into what? What is it used for?
Ms. FREINKEL: The gas is turned into, essentially, liquid plastic that
then is extruded into tiny little pellets that look like rice grains.
And those are sort of the raw material from which plastic products are
made.
DAVIES: And which
plastic products come from - is it polyethylene?
Ms. FREINKEL: In this case I was looking at polyethylene, but this is
more or less the process for all kinds of plastics. They start with
gases, chemical reactions that take place that turn them into these
polymers, these giant molecules that are liquid, and what comes out
are pellets or powders that are sent out from Dow and other companies
that make - they call them resins, raw plastics. And those are shipped
out to, you know, manufacturers and processors around the world,
really, who then turn them into plastic stuff.
DAVIES: You say the
dawn of the age of plastics was 1941. Why?
Ms. FREINKEL: What happened in 1941 is that the guy who was in charge
of provisioning the U.S. military at the outset of World War II
started requisitioning plastic to replace strategic metals that were
really needed.
And that led to a huge ramping-up of plastics production. A lot of
plastics had been discovered and invented in the '20s and '30s but
hadn't really made their way into major production. And it was kind of
the military needs of the war that got those plastics going
strong.
DAVIES: And what military supplies were they used to make?
Ms. FREINKEL: Oh, a
wide range, I mean, from, you know, the basic, standard-issue combs
that GIs got, which up until that time had been made from rubber, to,
you know, mortar fuses to the acrylic turrets that were used on planes
for gunners. They were throughout the military - plastic
bugles.
DAVIES: And then
after the war, you had this more developed plastics industry, and it,
what, it needed a market, right?
Ms. FREINKEL:
Exactly. You know, imagine all of these manufacturers with these huge,
built-up supplies of plastic and huge capacity, and they needed to do
something with it.
DAVIES: Now one of
the things that I like about your book is that it isn't just about,
you know, the dangers and toxic effects of plastics but the ways in
which they have enriched the lives of a lot of Americans. Describe
ways in which plastics in effect democratized - had a democratizing
impact on American life.
Ms. FREINKEL: Well,
that was something that started really early on with plastics. And I
tell this story of the comb as an example of that. Now, combs in the
mid-19th century were often made from things like tortoiseshell or
ivory. But by the mid-19th century, people were beginning to get
worried that both ivory and tortoiseshell were becoming in short
supply because the animals were being sort of hunted into
extinction.
And that actually was a goad to the development of early plastics. One
of the big uses of ivory was for billiard balls, and a billiard-ball
manufacturer in the 1860s put an ad offering $10,000 for anybody who
could come up with a viable substitute for ivory.
That ad caught the eye of an inventor in New York named John Wesley
Hyatt, who was kind of an amateur inventor, and he started looking at
ways to develop an adequate substitute. And what he actually ended up
coming up with was the early plastic celluloid, which was made from
cellulose - actually from cotton.
And one of the first
uses - or common uses - for celluloid was combs because you could take
celluloid and make it look like any kind of valuable material. It was
really good - it was very easy to make it look like tortoiseshell or
to make it look like ivory, and indeed that was what was done.
And so you had sort of these exquisite combs that looked like they'd
come, you know, from tortoiseshell or ivory, it looked like they cost
a fortune, but actually, you know, you could get them for quite cheap,
and anybody could have one.
DAVIES: And then,
you know, once plastics became much more ubiquitous, you had consumers
that suddenly, now, they could get cheap combs. They could get a cheap
toothbrush. They could buy a suitcase that was light and strong. They
could have clear packaging that could wrap food and allow them to see
whether or not it was fresh. There was fishing line - all this stuff.
How did we feel about plastic? Did we embrace this artificial stuff,
or were we suspicious of it at first?
Ms. FREINKEL: In the
early days, people were enthralled. I mean, imagine something like
cellophane, this clear material. People loved cellophane so much that
in the '40s, it was - the word itself was considered the
third-most-beautiful in the English language, after mother and
memory.
I think, you know, people continued to love it until they started
seeing it being increasingly used for schlocky kinds of things, you
know, like lawn flamingos.
There was a fiasco in the early '60s when DuPont tried to develop a
synthetic leather, Corfam, and, you know, touted it as good as
leather, but, you know, it really didn't work very well.
And so, you know, by the time I was coming, growing up in the '70s,
plastic had pretty much become a cultural joke. It was the punch line
to the movie "The Graduate."
You know, when I was writing this book, almost every single person who
I told I was working on a book about plastic invariably mentioned that
line. You know, 40 years later, it still resonates.
DAVIES: We're
speaking with Susan Freinkel. Her new book is called "Plastic: A
Toxic Love Story." We'll talk more after a short break. This is
FRESH AIR.
(Soundbite of music)
DAVIES: If you're
just joining us, our guest is writer Susan Freinkel. She's written a
new book about the ubiquitous presence of plastics in our lives and
some of the effects thereof. It's called "Plastic: A Toxic Love
Story."
You take us through some commonly manufactured plastic items like the
single-form chair, of which there are probably billions made and sold
cheaply. The Frisbee is another one you write about.
But I wanted to talk about some of the uses in medicine. And it was
interesting that it had a powerful effect on modern medicine, right? I
mean, it really allowed scientists to do things that they couldn't do
before.
Ms. FREINKEL: Oh,
absolutely. I mean, plastic, you couldn't have modern medicine without
plastic, you know, going back to the in the '40s, when Willem Kolff
invented the first kidney dialysis machine, using cellophane, in fact,
and said: What God didn't grow, man can make.
I was reminded of that recently when my mother broke her hip, and I
was looking at the hospital and looking all around at all the plastics
in her room from, you know, the machinery monitoring her oxygen levels
to the actual replacement hip in her body.
DAVIES: Explain the
effect of plastic on the ability to transfuse blood and store
blood.
Ms. FREINKEL: Okay,
I tell the story of the blood bag, and I chose that object because
it's made out of vinyl, and it was something that I think perfectly
kind of illustrates the benefits and problems of plastic in
medicine.
Blood, up until the '50s, really, to the extent that blood collection
took place, it was in glass bottles. If you went to get blood drawn,
up until the 1950s, you know, they would use a steel needle, and the
blood would be taken out through that needle, through rubber tubing,
into a glass bottle with a rubber stopper.
It didn't work very well. The blood cells were damaged in the process.
And of course, those glass bottles were breakable. It wasn't a great
system.
And in the 1950s, a
Boston surgeon named Carl Walter started looking for a better way. And
he came up with the idea of using one of the new plastics that was
out, vinyl, as a way to collect and store blood. And he invented the
vinyl blood bag.
And, in fact, you know, to prove its advantages to colleagues, he took
it with him to a meeting filled with blood and stepped on it to show
them, you know, this is really unbreakable.
And it was a huge technical advantage. You know, you had bottles not
only that wouldn't break, but they made it possible to store blood
more safely, to collect it more safely and to separate out the
components in a sort of sterile, secure fashion so that a single unit
of blood could go - instead of just going to one patient could go to
three. So it was a great, great development.
DAVIES: And the
final tubing that was used for IVs and all kinds of other procedures,
that was better than rubber?
Ms. FREINKEL: That
was better than rubber, and it was seen at the time as not only, you
know - it was considered better than rubber, and it was considered
inert. People assumed that this was stuff that wasn't going to cause
any problem to human health.
DAVIES: Now, what
are some of the issues that have arisen with the use of vinyl blood
bags and IV tubes?
Ms. FREINKEL: Well,
vinyl, the plastic vinyl, is made from a plastic called PVC. And on
its own, PVC is a pretty rigid and brittle plastic. The way that you
make it into something soft and pliable that you can use for, say, a
blood bag or an IV bag is by adding in sort of oily chemicals called
phthalates and, in particular, one called DEHP.
The problem is that DEHP doesn't really bond with the plastic. And
it's -remember I compared earlier a polymer to a long strand, well,
imagine those long strands, and then the DEHP is like little snips of
spaghetti, say. It comes out really easily, and it leaches out easily.
It leaches into the blood that's contained in the blood bag. It
particularly will leach out if there's a fatty liquid present.
But we've known since the early '70s that DEHP leaches out of vinyl,
and the way that we know is that there were a pair of scientists at
that time who were doing some experiments with rat livers. It doesn't
really matter what they were trying to do.
But they kept finding this weird, strange compound that was fouling up
their experiments, and when they set out to figure out what it was,
they discovered it was DEHP. And they were very surprised because
everybody had assumed that this is, you know, an inert material.
They then did a bunch of research, and, you know, they came to the
conclusion that this was not harmful, that this was fine for human
health except under some very, very particular and rare
circumstances.
Fast-forward about 20 year, in the late '90s, our understanding about
sort of toxicology has changed, and a couple of things had happened.
One is that there was sort of a new science discovering that some
chemicals don't work like traditional toxins.
They - instead of sort of there being kind of a straight line of
exposure to something like, you know, birth defects or cancer, these
chemicals act in a sort of more convoluted and complicated way.
They interfere with our hormones, and they interfere with the
endocrine system, which is the network of glands that orchestrate
growth and development. And there's some research done showing that
DEHP, this chemical that's in vinyl, has this property. It interferes
with testosterone.
Most people aren't exposed to those kinds of levels, even in hospital
settings where you are, you know, being transfused for a long time, or
a little baby is being transfused for a long time. It's not
approaching those levels. It is more subtle, probably. But we
don't
know what the safe
level is.
DAVIES: All right,
so then these materials that we've been using, you know, everywhere
for blood bags and for IV solutions and for tubes, there might be some
concerns about them. Are there alternatives that people are
exploring?
Ms. FREINKEL: There
are alternatives. There's kind of - actually, it's a huge and growing
area. And that's the irony and frustrating thing to me, to be
honest.
Vinyl, polyvinyl
chloride, there are alternatives for that in medicine, and there are
actually companies who are using them. B. Braun, for instance, went
into the market with the deliberate mission of finding alternative
materials. So they make IV bags and tubes out of things like
polyethylene and polypropylene or silicon tubes.
The problem is these are more expensive, and so for cash-strapped
hospitals, you can understand why they may be reluctant to go with an
alternative when they don't even completely know whether it's
okay.
GROSS: Susan
Freinkel's interview with FRESH AIR contributor Dave Davies will
continue in the second half of the show. Her new book is called
"Plastic: A Toxic Love Story." I'm Terry Gross, and this is
FRESH AIR.
(Soundbite of music)
GROSS: This is FRESH
AIR. I'm Terry Gross.
Let's get back to the interview that FRESH AIR contributor Dave Davies
recorded with science writer Susan Freinkel about her new book
"Plastic: A Toxic Love Story." It's about how dependent
we've become on plastic - it's in nearly everything - and the hazards
some plastics pose to the environment and the human body.
When we left off, Freinkel was talking about the vinyl bags and tubes
used for blood transfusions in IV medicines, which scientists
discovered are actually leaching chemicals into those
fluids.
DAVIES: Well, what's
been the reaction of the chemical industry to these critiques of vinyl
bags and tubes?
Ms. FREINKEL: You
know, the chemical industry basically maintains that this stuff is
safe, that the argument about phthalates, for instance, is they've
been in use for 50 years; there's no evidence of widespread human
problems and therefore, what's the issue? And, you know, the vinyl
industry has its own trade association, which rebuts studies. The
American Chemistry Council is very quick to rebut any negative studies
that come out. And, you know, they are right. The science on this is
still uncertain. It is still evolving. We are looking at a whole new
world of risks.
But, you know, I talked to one researcher who pointed out that, you
know, there are similarities between the way the chemical industry
responds to a lot of the studies that are suggesting problems and the
way the tobacco industry defended tobacco for 50 years. You know, it's
hard to make a slam dunk showing that these things are dangerous. You
make that case through epidemiological studies and through animal
studies and, you know, you very carefully piece it together.
Any time you get an epidemiological study suggesting a correlation
between exposure to a phthalate or bisphenol A, for instance, and a
health outcome, the chemical industry quickly points out that this is
just a correlation. There's no evidence of direct cause-and-effect.
That's true. That's what epidemiological studies do, but they are the
gold standard for determining public health hazards. And this was the
same strategy that was used by the tobacco companies when they were
trying to fight growing evidence that tobacco causes lung cancer. It's
been called a strategy of selling doubt.
DAVIES: What's the
state of government regulation of plastics and their potential health
effects?
Ms. FREINKEL: Unlike
pesticides or drugs, there's no real explicit government regulation of
plastics. We have a very fragmented and fairly ineffective patchwork
of laws to regulate synthetic chemicals. The central regulation there
is something called the Toxic Substances Control Act, which was passed
in 1976.
People's criticisms of that law are that it has tended to treat
chemicals as safe until proven to be dangerous. But the way that the
law is written is very difficult to establish that a chemical is
dangerous because manufacturers do not have to volunteer information
about that, and the EPA is - the Environmental Protection Agency is
fairly hamstrung in its ability to collect information.
DAVIES: So of all
the thousands of different kinds of plastics in all of their many,
many different uses, I mean how secure should we feel that somebody's
looking out to see whether it's hurting us?
(Soundbite of laughter)
Ms. FREINKEL: I
think it depends on how worried you want to be. Look, you know,
they're a lot of plastics out there. Plastics are not created equal
and I think there are a lot of plastics that we don't have to worry
about. I'm not so worried about polyethylene. I'm not particularly
worried about polypropylene, which is the stuff that's used - the
plastics that's used in like yogurt containers or margarine tubs. But
we know...
DAVIES: And you
mentioned polyethylene, that's what? The...
Ms. FREINKEL: Polyethylene, that's the stuff of like plastic
baggies.
DAVIES: The grocery
bags, right? Yeah.
Ms. FREINKEL:
Grocery bags. Sort of a film, that film plastic. But we know that
hazardous chemicals are used in plastics and we know that some of
those plastics will leach chemicals that may be harmful to our health,
and we don't know the full extent of that.
I'll give you an example, which is PET - polyethylene terephthalate.
It's the plastic that's used in soda bottles and water bottles,
another plastic that we have for decades considered an inert plastic.
Well, in recent years, there have been several studies showing that
PET can leach some kind of compound that seems to have estrogenic
activity - that seems to act like an estrogen. We don't know what that
compound is. We don't know whether it's being leached in sufficient
quantities to have any impact on human health.
The fact that we're suddenly discovering it is a little disconcerting.
You know, that said, I think those kinds of findings are why we need
to have stronger laws that require manufacturers to demonstrate the
safety of chemicals that they put into commerce, because we don't want
to be finding these things out decades after the fact.
DAVIES: So the basic
difference is if you want to market a new pharmaceutical, you need to
demonstrate its safety, to test it. If you want to put a new plastic
product out you put it out and then wait to see if somebody figures
out there might be a problem.
Ms. FREINKEL:
Exactly. I mean plastics came - when plastics came bursting onto the
scene the presumption was that these were inert materials. And what
we're finding is that they may actually be much more biologically
active in some cases than we ever imagined.
DAVIES: If you're
just joining us, we're speaking with writer Susan Freinkel. She's
written a new book about the presence and effects of plastic in our
lives. It's called "Plastic: A Toxic Love Story."
Have there been problems with plastics leaching from baby bottles?
Ms. FREINKEL: The plastic that used to be used to make baby bottles is
polycarbonate. It's a hard, clear, glass-like plastic and one of the
main ingredients in that is a chemical called bisphenol A, which is an
estrogen mimic. If you look at a diagram of that molecule, it looks
just like an estrogen molecule. And bisphenol A has been associated
with a bunch of health problems, including obesity, breast cancer,
heart disease and others. And so, you know, when research about
bisphenol A started coming out, you know, people, parents especially
were understandably horrified at the thought that the bottles that
they were using to feed their babies could potentially be leaching
this chemical into their babies.
You'd be hard-pressed to buy a baby bottle now that contains BPA. You
know, this is one of those instances where the government didn't step
in but Walmart did and, you know, the big-box stores won't carry BPA
bottles. I actually was in San Diego a couple of years ago and saw
this display of sports water bottles, which also used to be made of
polycarbonate, and they were, these things that usually costs like $15
were marked down to a dollar because they still had bisphenol A in
them.
DAVIES: So this is a
case where concerns were raised about health issues associated with
bisphenol A and it became such a publicly known issue that retailers
responded but there was no regulatory authority that stepped in and
did anything?
Ms. FREINKEL: No.
No. Bisphenol A is still - manufacturers are still free to use
bisphenol A, although it's acquired such a bad rep that not many do.
But yeah, this is one of those cases. Now, you know, there are other
countries -there are some states and I don't know the exact number
there are some states that have outlawed bisphenol A and there are
some countries that have said it can't be used in products that are
being used by children. The problem, of course, is, you know, you end
up with this sort of patchwork of regulations and no consistency or
guarantee.
DAVIES: You know,
your book is called "Plastic: A Toxic Love Story," and you
maintain this metaphor throughout it of our relationship with plastic.
And it's clear we're not going to break up. There are just too many
things that we use. But at the end of the book there's this really
troubling set of statistics you offer that we have produced nearly as
much plastic in the last 10 years as in all of the previous decades
combined. Plastic production is accelerating. Plastic goods are
spilling out across the landscape. A culture of use and - use and
dispose is being exported to a developing world. You say plastic
production could reach two trillion pounds a year by 2050, four times
today's levels.
This is just kind of depressing, isn't it? I mean, is there a way to
produce and use less of this stuff?
Ms. FREINKEL: I
think there is. I think that we are going to have to. I mean part of
the reason you're looking at two trillion pounds is that we're
exporting not just, you know, good plastic consumer goods to the
developing countries, but also a kind of throwaway culture, and that's
really what we have to get away from. Half of the plastics made now
are for throwaway items and that is the biggest and sort of most
troubling use of plastic, because a lot of those are just trivial
things that we don't need and which, you know, end up in swaths of the
world's oceans.
I think that the changes that are going to have to take place in the
way that we deal with plastic are changes that are going to have to
come from everyone with a stake in the future of plastics. So that
means, you know, manufacturers are going to have to be thinking more
carefully about the way they make plastics, the chemicals that are
used in them, the kinds of applications they have. And we as consumers
have to take responsibility and look more carefully and thoughtfully
at the way that we use plastics.
DAVIES: Well, Susan
Freinkel, it's been interesting. Thanks so much.
Ms. FREINKEL: Thank
you, Dave.
GROSS: Susan Freinkel spoke with FRESH AIR contributor Dave Davies.
Her new book is called "Plastic: A Toxic Love Story." You
can read an excerpt on our website, freshair.npr.org.
Coming up, rock
historian Ed Ward reviews the new box set "The Bristol Sessions,
1927 to '28." The sessions gave Jimmie Rodgers and the Carter
family their commercial debuts. This is FRESH AIR.
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